17 March, 2021
Not at home with my Rolleiflex – Stefan Wilde
Is a photograph any good if it needs an introduction? Shouldn´t art speak to you without accompanying words? Shouldn't a great picture captivate your imagination and inspire tho...
13 March, 2021
Markets in Yemen with a Pentax MZ-5 – By Jordi Fradera
Yemen, an impressive country, with a rich folklore and good people but always immersed in problems. In the spring of 1999 I took a tourist trip that I will never forget accompan...
I’ll be the first to admit I am not much of a 35mm connoisseur. In the past decade my focus has been shooting landscapes and archaeology with medium format systems and the occas...
28 February, 2021
5 Frames of the “Ihme-Zentrum” on Expired Film – by Christian Schroeder
Expired films have been exciting me for quite a long time. If I stumble across some, a chain of questions is triggered in my brain. Is the film still usable? What will it look l...
27 February, 2021
5 Frames with the Canonet QL17 GIII and Kodak Porta 400 – By Brian Feld
As a lifelong New Yorker, no winter is complete without at least one snow fall. For me, what I enjoy most about the snow is the initial hour or so when the flakes are particula...
My favourite time of year is the fall, autumn, with all it's brisk colours, the crispness of the air, and the pervasive feeling of new beginnings. Fall is the start of the new s...
8 February, 2021
5 frames with the Yashica 200 AF in 1990s Tijuana – By Mirko Karsch
Analog photography is steeped in myth. What is often understood today as the "analog look" (coarse grain, blur and soft edges, pastel colors and a slight warm tone in B&W ph...
Since becoming re-interested in film shooting a couple of years ago, I’ve acquired a modest but high-quality collection of classic cameras: a Nikon FM and FE, a Mamiya M645, Oly...