Some people may remember Hamish’s post back in November 2018, about the Agfa Optima 1035 camera that was so nearly something he liked, but not quite there: The Agfa 1035 and a C...
Anyone who's been following my writing for any amount of time probably knows that 35mm is among my least favourite focal lengths to work with for any kind of meaningful photogra...
A couple of weeks ago I went down to Bristol to meet Duncan Gammon from SilverPan Film Lab. We’d met briefly at the photography Show in March, but since then I’ve started using ...
I grew up shooting film in the 80's with a Nikon F3HP. My interests evolved to the rangefinder format in 2008 after finding the Leica M3 of my wife's Father collecting dust in ...
I love Paris. While I live in Japan, my business often takes me to Europe, and whenever it does, I always spend a weekend or so in Paris before moving on to wherever I need to g...
Earlier today, I posted a 5 frames post documenting a recent experience shooting a slightly crappy teleconverter mounted to a Ricoh FF90 Super - you can find that post here. I w...
A little while ago I tried some 35mm Cinestill 800 colour negative, which is Kodak Vision 3 500 Tungsten movie film with the Remjet anti-halation backing removed. Exposed at EI8...
I am not one plagued by Gear Aquisition Syndrome (aka G.A.S.) per se since I have some solid cameras in my arsenal that I am happy with. What I have been in search of is the ide...
