This is my last article (for now) in a series about macro photography using C-mount cine lenses. (The first article is here and the second is here.) In the first, I tried three ...
In a previous article, I explored macro-photography using C-mount cine lenses attached to a Fiji X-Pro1 APS-C digital. In those three experiments, I discovered that my mounting ...
C-mount lenses are the tiny optical jewels worn on the fronts of classic 16mm movie cameras. Their minuscule 17.526mm separation between the camera’s mounting flange and f...
I’ve often observed from afar large format photographers esoterically divining their cameras and producing photos that my 35mm camera could only dream about. But I was lar...
I’ve paired this mid-fifties British 35mm camera with a converted lens that is normally fixed onto the front of a Yashica Electro 35 GS rangefinder. Turns out they go toge...
I spend far too much time watching photography YouTube videos and reading photography websites and fora. Hours and hours. Right, with that confession out of the way let me tell ...
In my days before 35mmc, Jim Gray published this article on his great “Down the Road” site. It described how and why I adapted a 1940’s Kodak Monitor Six-20 le...
In Part 1 of this article, I stumbled on a way to shoot “super-macro” photos with a vintage Contaflex SLR! And it was done without Zeiss Ikon’s “Prox...