22 February, 2022
The Leica for a Year Project – By Patrick Medd
The Venn diagram describing the readership of 35mmc and of Mike Johnston’s blog ‘The Online Photographer’, may not have a huge amount of overlap—on the other hand it may, I don’...
17 February, 2022
Learning To Lean Into Life’s Unknowns – by Brian Cox
This project started as a way to get back to basics and mend my sometimes volatile relationship with photography.
I love photography and camera’s equally. They are like childre...
16 February, 2022
All Analogue: a Digital-Free Experience of Film Photography – By Ailbíona McLochlainn
Last week I received a message from someone who happened upon my website. They had read that I shoot both digital and film, but could only find examples of digital photos. Where...
9 February, 2022
You Don’t Have to Be a Good Photographer to Be a Good Photographer – By Ailbíona McLochlainn
I know, I know. The title makes no sense, and no doubt comes across as silly. But let me assure you, it is genuine. I simply did not know how to phrase the thing I hope to expre...
As a fan of manual processes that have since become more automated over the span of history, I couldn’t help pondering the similarities between two of my main interests; quality...
2 February, 2022
Time, Zen and My Father’s Camera – By Eric Charles Jones
The trouble is, you think you have time.
– Buddha
Old cameras have always held a special place in my heart. Especially, the classic cameras of the past that were often built l...
24 January, 2022
Latent Postmodernism and The Act of Photography: Deconstructing the Yashica Y35 – By Michael Kaplan
I have been involved in some aspect of photography for forty-five years. I was 15 when I took my first precarious steps attempting to understand the complex simplicity of a pinh...
My interest in tableaux photography now spans nearly two decades. And one type of scene I like to enact can perhaps be described as stills from a fictitious 1960s Soviet film se...